Miss Trot 4 contestants showcase musical range in new performance videos

Lee So-na, Heo Chan-mi, and Hong Seong-yun have released performance videos on the TV CHOSUN JOY Trot Radio channel, transitioning from lyrical melodies to energetic stages featuring modern trot variations.

Lee So-na, Heo Chan-mi, and Hong Seong-yun, contestants on Miss Trot 4, have revealed stages completed with their own unique colors. These videos, uploaded through the Trot Radio channel on TV CHOSUN JOY, capture the songs performed by the three contestants and the process behind them.

Three colors of stages, from lyrical melodies to intense energy

In the videos, Lee So-na, Heo Chan-mi, and Hong Seong-yun expanded their performance range by successively handling songs with different sensibilities. The early parts of the videos featured songs with prominent lyrical lyrics and melodies. The videos conveyed sorrowful emotions through lyrics such as "Wait in your heart, quietly listening to the breath." In subsequent stages, they added depth to the songs by singing lyrics such as "Love is the flower of life, hatred is the flame of despair."

The atmosphere changed dynamically depending on the song. Along with the shout, "Life starts from now," they shifted the mood with energetic stages that induced responses from the audience. In a stage containing the lyrics "Sometimes flying like a feather, sometimes settling like dust," the performers' movements and voices were seen changing in accordance with the flow of the song.

Interpretation of songs and variations of emotion

The contestants did not stop at simply singing; they focused on unraveling the narrative of each song through their voices. In a song that seemed to pose the question, "In my life, can such beauty come again?", a poignant emotional line dealing with meetings, partings, and fateful connections continued. In particular, the lyric passage promising "the day we meet after a long journey" showed the point where the sadness and hope of the song intersected.

Furthermore, in songs where rhythm was emphasized, they attempted modern variations of trot through repetitive phrases such as "Jing-i jing-iya" or sections mixed with English lyrics like "Bring me, bring me, bring me up." Each performer focused on delivering the message of the song by adjusting their breathing to match the atmosphere of their assigned piece.

Source: original video (YouTube)