"The choreography is tight, so it's not easy to catch the rhythm" MINHO completes the stage while coordinating with the choreographer

A behind-the-scenes video capturing the choreography practice process for SHINee's MINHO's second mini album 'Make it hot' has been released. The video contains the process where the choreographer, MINHO, and the performers meticulously coordinate the details and movement paths of the choreography to increase the perfection of the song.

Detailed adjustment of choreography movement and hand positions

The practice process specifically shows the process of correcting every single movement of the choreography. In the video, discussions regarding the hand positions and body directions for specific sections continued. In the video, the choreographer mentioned the hand position of a specific movement, saying, "Because this was really bothering me right now," and MINHO showed himself modifying and matching the movement by reflecting this. The choreographer suggested, "Not like this, just the hand position," while correcting the hand position, demanding precision in the movement.

In particular, discussions regarding the formation (movement path) were also covered with significance. Regarding the stage composition, the choreographer suggested specific formations such as "the four in front wide, and the back narrow," and discussed ways to bring a sense of three-dimensionality to the stage through personnel placement. Additionally, technical feedback was exchanged regarding movements in specific sections, such as "Instead of doing this with your legs, you have to look with your chest" or "You have to set the angle of the steps." Regarding body movements, the choreographer emphasized the texture of the choreography, saying, "If you do your body slightly like a gesture, this slight feeling will come out."

Song selection and choreography discussion for concert stage composition

At the practice site, discussions on how to utilize the songs from this album in future concerts were captured. MINHO suggested that he is composing the choreography with its use in concert stages in mind. In the video, MINHO mentioned the plan for using the songs, saying, "Since I have to do it during the concert, among these songs," and shared opinions with the choreographer that a certain song would suit a concert well. MINHO mentioned the necessity of choreographic creation for concert stage composition, saying, "There is a song I like quite a lot, so it would be good if you could make one more. If you make it, it has to be for a concert."

The choreographer mentioned the difficulty of choreographic creation and pointed out that MINHO is specialized in making the movements created by the choreographer his own. The choreographer conveyed the hard work of choreographers, saying, "Actually, it's something you made for me, and since I am playing it now, [you are] specialized in how to make it more yours." Also, to bring out the feeling of the choreography, they advised, "It's not about dancing with strength, you have to make it really flow there to create energy in the back," and "Just like what a dance actor says, it seems like you could just dance this much very loosely."

Tight choreography composition and intensity of practice

Voices from the scene regarding the difficulty of the practice were also included. The choreographer mentioned that this choreography is harder than expected. In particular, it was mentioned that the moments when nothing is being done after the second verse chorus ends are actually more visible, and that catching the rhythm is not easy. In the video, the difficulty of maintaining the rhythm was conveyed in an atmosphere of "The choreography is tight, so our Suri grew up very well, so we will do our best."